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The All-In-One
Tracking Tool for High Resolution Recording
The
Quartet is a modern class A tube design which includes:
- The tube Mic/DI Preamp from the MDP-1
- The tube Opto-Compressor from the OCL-2
using our proprietary optoelectronic cell
- A new three band tube EQ with HI and
LO shelving and peaking MID band
- A new de-esser design using opto-inductive
filtering and a highly selective detector
- The Mic/DI, EQ and Compressor/De-Esser
can be patched out and used independently.
- Transformerless or transformer-balanced
main output
- Gold-plated switch contacts, I/O connectors
and tube sockets
- Polypropylene caps and metal film resistors
(pairs matched to 0.1%)
- Fully regulated high voltage (300V)
and filament and bipolar power supplies with soft-start warm-up
and output muting
- Custom toroidal power transformer with
shield for minimum hum
- 120V or 240V ac voltage switch on the
rear panel.
The Quartet is an all-purpose
recording tool designed with the ultimate in sound quality and
flexibility in mind. We have combined four elements - Mic/DI
preamp, Opto-compressor, EQ, and De-esser -into a fully integrated
package that it makes it easy to track any source. In addition,
the Mic/DI preamp, EQ and Compressor/De-esser are completely
independent entities that can be patched out and used separately
- a hand feature that makes it a valuable tool for mixing as
well as tracking.
The Mic/DI preamp, borrowed
from our acclaimed MDP-1, can handle mics, pickups, keyboards,
or line-level signals. It features phantom power, input pad,
phase reversal, and a switchable lo-cut filter. Independent gain
and output controls permit overdrive of the tube stage to vary
the harmonic content of the preamp.
The Opto-Compressor,
derived from the popular OCL-2, uses our proprietary optoelectronic
cell, and has a sound all its own. It can be used in one of four
modes: Fast (for 'invisible' compression), Average (rms responding),
a new Vintage mode (with program-dependent response), or full
manual operation.
Our new 3 band tube EQ,
a modifed Baxandall design, is simple but very effective. The
HI and LO bands have up to ±10dB of shelving at 15, 10
and 7 kHz, and 50, 100 and 200 Hz respectively. The MID band
has a broad ±10dB peaking response centered at 0.7,
1.6, 2.2, 3.3, 5.0 and 6.5 kHz. The EQ can
be placed before or after the compressor with the flip of a switch.
The new De-esser, which
is implemented within the opto-compressor, uses an entirely new
approach. A highly selective inductor-based detector triggers
a very fast opto-inductive notch filter. The user can control
the depth of the notch, which in turn controls amount of sibilance
to be removed. When not triggered, the de-esser is out of the
signal path entirely.

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